With a writing career spanning several decades, Linda
Acaster was originally known for her short fiction in magazines in the UK and
Scandinavia. Her journey as a published novelist began in earnest when she won
the Netta Muskett (currently
known as the Joan Hessayon) Award for new writers in the 1980s. The award
itself was specifically for a work of romantic fiction, but Linda’s winner, Hostage
of the Heart, was already reaching beyond the standard boundaries of
light romance.
A well-researched novel set in mediaeval times, the romance
in the story was set against the context of the fight for the English crown in 1066,
showing that such battles then, as now, were not fought solely on the
battlefield.
A lifelong interest in history and in particular the native
peoples of North America led to Linda’s second novel, later reissued as Beneath
the Shining Mountains.
The novel gained plaudits for its authenticity, for showing its
characters in their own right and not through the lens of European invaders.
Some years later Linda again turned her hand to the North America of a century
and a half ago, and wrote Dead Men’s Fingers, a Western,
under the pseudonym of Tyler Brentmore.
Linda does not only write fiction, but has turned her
research skills to matters closer to home. When diagnosed with hypothyroidism,
her initial investigations showed this to be an area where knowledge was patchy
although much valuable research had been done. Recognising it would be
impossible for any generalist to keep up to date on every condition they saw,
she looked for herself, reading academic medical papers and joining specialist
groups. Her work not only led to a significant improvement in her own
condition, it prompted her to share her journey in a series of blogs called When
your health turns on you.
For Linda, research takes many forms, from quietly adding to
her non-fiction collection to what she refers to as footfall – visiting
museums or squelching across a rain-sodden moor in search of the line of a
Roman road and its adjacent ancient spring. She notes that the internet has
helped enormously in viewing collections
beyond British shores, and during the Covid-19 pandemic she took advantage
of freely available online lectures, watching whatever piqued her interest, whether
a talk on medieval hygiene or an archaeological
dig of an Anglo-Saxon cemetery below the ramparts of Bamburgh Castle.
Linda’s Torc of
Moonlight trilogy developed from her writing Weekend Walks for the Yorkshire Post. Linda wrote pieces
highlighting the history in the landscape; and found that aspects of springs or
water courses kept repeating, no matter what area she was exploring. This
prompted her to research water lore. The trilogy is set in and around the three
university cities of Hull, York and Durham following the contemporary stories
of students Nick and Alice, set against the layers of history that lie just
beneath their feet.
Using the starting point that no human civilisation can
exist without water, Linda researched the myriad belief systems that have grown
up around ancient springs and water courses. She says, ‘While reading a piece
on ancient water lore my experiences walking the landscape jumped into sharp
relief.’
Noting that people have long believed that sacred waters
were guarded by female deities, she adds, ‘Just because we, with our modern
plumbing and sewerage systems, don’t share their world view, who are we to say
they were wrong?’ She goes on to note that it was in exploring the mismatch of
belief, non-belief, and demonization of a pre-Christian deity that proved
fertile ground for the development of the idea that led to her mythic romance Torc of
Moonlight trilogy, saying, ‘If you are a modern person caught in the
middle of this, what do you believe, how does it affect you, and who do you go
to for aid?’
‘Stay away from me. Don’t you understand? People close to me
die.’
The light behind was fading, the darkness pressing in,
pushing the silence so close that he feared he might suffocate in it.
Ernald had been at the heel of Brother Maugre since the bell
for Prime, yet the sub-prior had said barely a word, certainly not spoken of
the reason for Ernald’s summonsed return to the priory.
As to what Linda will publish next, there are no simple
answers for this multi-genre writer. Currently in train are a short mystery,
another Western, the research for a WW1 Women’s Fiction series based loosely on
her family, and the long-promised expanded version of the atmospheric
supernatural, The Paintings
Learn more about Linda Acaster on her website.