 LitFests are ostensibly for readers, but writers are readers too. We just view information from a different slant, which comes in handy when the creative well is coughing up an intermittent flow.
LitFests are ostensibly for readers, but writers are readers too. We just view information from a different slant, which comes in handy when the creative well is coughing up an intermittent flow.The 2019 Festival of Words brought a multitude of writers to libraries around the East Riding of Yorkshire, some well known, others trying to carve themselves a household name. It is this latter group which often proves the more rewarding. For a start, they tend not to be swamped by adoring fans, and they remember how it was to struggle and are therefore more open to answering a question or having a quick chat.
As with all enterprises, to gain the most from a LitFest go prepared. Make time to read one of the authors’ previous works. This in itself can spark our own writing: the pacing used in a passage of description, the way a confrontation is handled. It also widens our pool of genres and sub-genres.
Discussion panels on a fixed subject can prove eye-opening, as happened during the Gothic Thrillers event. Not only did I leave with new authors to read, but with a marketing angle I hadn’t previously considered.
Linda Acaster
 
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